Musicianship for Adults - Music Theory: Grade VI

Music Theory: Grade VI [with integrated Aural, Dictation and Viva Voce (Vocal & Rhythmic) skills].

Description

Academic Year 2026-27

Continue and deepen your understanding of music theory in this advanced 14-week course designed for adult learners who wish to prepare for the RIAM Grade VI Music Theory exam in the Summer Exam session. Participation in this exam is optional and at the discretion of each student.
Students will also receive tuition towards a Grade VI standard (non-accredited) Aural Skills and Dictation exam, which will take place in class at the end of term, in which participation is optional.
In addition to the written theory and dictation/aural components, this course also aims to support students sitting RIAM instrumental exams, with aspects of the combined Aural and Theoretical requirements up to Grade VI standard integrated into the course.

 

Learning Outcomes

● Build on your previous music theory knowledge as you explore advanced key centres, metres, intervals and triads, alongside transposing and transcribing skills across all clef types.
● Broaden the scope of your compositional skills by learning to arrange for 4-part SATB choir, crafting 8-bar melodies and setting poetic text to rhythm.
● Increase your confidence in musical observation and literacy skills through more detailed score reading and orchestral instrumental knowledge.
● Expand your knowledge on the timeline of music history with a focus on the Baroque period, where you will discover the principal stylistic features, compositional genres, preeminent composers and their works of this pivotal era.
● Continue to improve your ear training through progressive exercises in intervals, triads and cadence patterns. Further develop your inner hearing, pitch accuracy, sense of pulse and sight reading skills through progressively advanced rhythmic and melodic dictation coupled with viva voce singing exercises using tonic solfa.

 

Course Details:

Course duration:

14 classes

Class length:

60 mins

Dates:

19th January - 4th May 2027 (including scheduled breaks)

Day & time:

Mondays 7.10-8.10pm

Location:

Room B002, Royal Irish Academy of Music

Class size:

Limited to 12 participants

 

Participation eligibility

● Participants must be over 18 years.
● Prior theory knowledge of up to Grade V is desirable, but support will be given for learning gaps.

 

Required materials

● Music Workout Grade 6 by Jean Archibald and Bernadette Marmion (ISBN: 9781902140070 - RIAM Publication) (provided by student)
● Manuscript notebook (provided by student)
● Supplementary teaching materials (provided by teacher)

  

Assessment and certification route

Students will be prepared to sit the RIAM Grade VI Theory Examination. 
*** Please note that applying to sit this examination is optional and at the discretion of each student. Examination applications (which are made online) are entirely the applicant's responsibility.

RIAM Grade VI Exam date:  

(Summer exam session)  Saturday 8th May 2027 (one day only)

Exam type:  

Written exam to be completed at home. Exam paper is downloaded and printed in advance by the candidate, then completed at home and uploaded on the day of the exam.

Range of application dates for exam: 

19th February - 28th March  (Application to be made online by candidate)

Exam fee:   

As published by RIAM and paid separately by candidate

*** Please also note that students will be prepared for and invited to sit a Grade VI standard (non-accredited) Aural Skills & Dictation exam, which will take place in-class at the end of term. Participation in this is optional and students can decide on their method of individual feedback: either grade with comment, or comment only.

 

Course Schedule: Spring 2027

Class 1 Tue 19th Jan 2027 7:10 - 8:10 pm - Room: B002
Class 2 Tue 26th Jan 2027 7:10 - 8:10 pm - Room: B002
Class 3 Tue 2nd Feb 2027 7:10 - 8:10 pm - Room: B002
Class 4 Tue 9th Feb 2027 7:10 - 8:10 pm - Room: B002
Midterm Tue 16th Feb 2027 NO CLASS
Class 5 Tue 23rd Feb 2027 7:10 - 8:10 pm - Room: B002
Class 6 Tue 2nd Mar 2027 7:10 - 8:10 pm - Room: B002
Class 7 Tue 9th Mar 2027 7:10 - 8:10 pm - Room: B002
Class 8 Tue 16th Mar 2027 7:10 - 8:10 pm - Room: B002
Class 9 Tue 23rd Mar 2027 7:10 - 8:10 pm - Room: B002
Easter Break Tue 30th Mar 2027 NO CLASS
Class 10 Tue 6th Apr 2027 7:10 - 8:10 pm - Room: B002
Class 11 Tue 13th Apr 2027 7:10 - 8:10 pm - Room: B002
Class 12 Tue 20th Apr 2027 7:10 - 8:10 pm - Room: B002
Class 13 Tue 27th Apr 2027 7:10 - 8:10 pm - Room: B002
Class 14 Tue 4th May 2027 7:10 - 8:10 pm - Room: B002

 

Learning content: Grade VI

 

UNIT OF LEARNING:  Melodic & Harmonic building blocks

Intended Learning

● Keys: Major (up to 7 ♯ & ♭) & Minor (up to 5 ♯ & ♭) Keys and their scales (including tone & semitone patterns)
● Technical names of scale degrees
● Intervals & inversions
● Triads & inversions (Major & Minor in Root, 1st & 2nd Inversion; Augmented & Diminished in Root position)
● Triads: close/open position

 

 

 

UNIT OF LEARNING:   Rhythmic building blocks

Intended Learning

● Time Signatures & grouping including rests
● Re-writing between simple & compound time signatures
● Irregular Metres: 5/4, 5/8, 7/4, 7/8

   

 

UNIT OF LEARNING:   Melodic composition & Expressive markings

Intended Learning

● Melodic composition 8-bar melodies:
   ○ Consideration of form: 4+4 or 2+2+2+2 phrasing
   ○ Balanced contour
   ○ Rhythmic variety
   ○ Suitable range
   ○ Note resolution
   ○ Melodic sequence & inversion
   ○ Cadential point: ending on a long tonic preceded by note(s) of dominant triad
   ○ Phrasing: thetic & anacrustic
● Expressive markings: tempo / expression markings / dynamics / articulation

   

 

UNIT OF LEARNING:   Text setting: Composing rhythm from poetic text

Intended Learning

● Composing a rhythm to a given poetic text: 2/4, 3/4, 4/4 & 6/8
● Focus on syllable stress and developing rhythmic variety
● Phrasing: thetic & anacrustic

   
  UNIT OF LEARNING:   Building Harmonies & Arranging for 4-Part SATB choir
Intended Learning

● Primary triads in Major Keys: I, IV & V
● Primary triads in Minor Keys: i, iv & V
● Arranging primary chords for SATB in Major & Minor keys

   
  UNIT OF LEARNING:   Score reading literacy: Unlocking orchestral, instrumental & vocal scores
Intended Learning

● Transcribing between all clefs: Treble, Bass, Alto & Tenor
● Transcribing between Short Score & Open Score
● Transposing: Major and Minor keys, with Chromatic notes
● Score observations: Piano & String Quartet scores
● Ornamentation: appoggiatura, acciaccatura, upper & lower/inverted mordent, turn, inverted turn, trill.

   
  UNIT OF LEARNING:   Instrumental knowledge
Intended Learning

● Transposing Instruments in orchestral families: Woodwind, String & Brass instruments
● Standard and extended instrumental techniques: Strings, Brass & Piano

   
  UNIT OF LEARNING:   History & Context: The Baroque period
Intended Learning

● Music History: Baroque Period & Historical timeline
● Baroque composers of note
● Stylistic compositional features of Baroque music
● Baroque instruments, instrumental ensembles & harmonic accompaniments
● Significant Baroque genres, forms and works of note

   
  UNIT OF LEARNING:   Compositional Observation
Intended Learning

Identification of following features from a given score:
● Key and tonality
● Triads & inversions in chords and melody
● Scale and arpeggio movement
● Technical names of scale degrees
● Comparison of phrases for similarities and differences
● Melodic features: imitation, sequence, repetition
● Intervals, both harmonic and melodic
● Understanding of expression markings
● Chord identification using Roman Numerals
● Melodic ornamentation
● Note names and enharmonic equivalents

   
  UNIT OF LEARNING:   Sight reading: Rhythmic clapping
Intended Learning

Clapping with stick notation rhythms in Simple metres:
● All quaver and semiquaver combinations
● Triplets, tied and dotted notes
● Thetic and anacrustic phrasing
● Metres:
   ○ 2/4, 3/4, 4/4, 2/2, 3/2, 3/8
● Syncopated rhythms:
   ○ Tied notes into beats 1 & 3
   ○ Stress on beats 2 & 4
   ○ 𝅘𝅥𝅮𝅘𝅥𝅘𝅥𝅮 pattern

Clapping with stick notation rhythms in Compound metres
● Metres:
   ○ 6/8, 9/8, 12/8, 6/4, 9/4, 6/16
● Semiquavers in groups of twos and fours
● Dotted quaver + semiquaver + quaver
● Use of demisemiquaver in 3/8 and 6/16
● Thetic and anacrustic phrasing

   
  UNIT OF LEARNING:   Sight singing
Intended Learning

Sight singing with solfa
● Major keys up to 3♯ and 3♭
● Minor keys up to 1♯ and 1♭ (use of full Melodic Minor scale)
● Time Signatures: 2/4, 3/4, 4/4 & 6/8

   
  UNIT OF LEARNING:   Aural skills & Dictation
Intended Learning

Identification of:
● Any harmonic interval within an octave (without relation to tonic)
● Major and Minor triads in root & 1st inv.
● Diminished and Augmented triads in root position
● Perfect or Imperfect cadence at end of harmonised phrase

Dictation of:
● 4-bar rhythm in 3/4 or 4/4
● 4-bar rhythm in 6/8
● 4-bar melody in 3/4, 4/4 or 6/8, in major & minor keys up to two ♯/♭

   
  UNIT OF LEARNING:   Viva Voce 
Intended Learning

By listening to a short piece with score provided, identification of:
● Tonic key & relative
● Metre with description (e.g. simple duple)
● Technical names of scale degrees
● Identify texture as: Melody & accompaniment / Chordal / Imitative
● Any cadential point on the score

Memory Aural test:
● Clap back upper line of 2-part score
● Sing back 4-bar melody

Sing at sight:
● 4-bar major melody in 3/4 or 4/4

Intervals:
● Sing interval (from major scale), doh given
● Harmonic interval played, both notes to be sung and interval identified

 

We offer Musicianship for Adults - Music Theory courses for the following Grades: (Please follow the links to the individual courses)

 For any enquiries about this course, please contact adultdivision@riam.ie or call 01 632 5300.

 

 

Tutor

Angie Flynn

Angie Flynn is an experienced music educator with over 25 years of teaching experience across conservatory and post-primary settings. A BMusEd graduate of Trinity College Dublin and the Royal Irish Academy of Music, she also holds an MA in Music Historical Studies from Maynooth University. 

Angie has a longstanding connection with RIAM, having previously taught Junior Musicianship and, more recently, joining the Academy’s Early Years faculty teaching Classical Guitar. Her musicianship teaching experience encompasses music theory, aural skills, vocal and rhythmic sight-reading, dictation, composition and music history. Her approach draws on Kodály and Curwen solfège, alongside listening, singing and practical musical examples to bring theoretical concepts to life.

For 23 years Angie taught Music at Loreto Secondary School Balbriggan, where she also served as Head of Music Department. During her time there, in addition to her teaching of Junior & Leaving Certificate Music, she also conducted the Junior and Senior Choirs, Orchestra, Samba Ensemble and was co-music director of ten TY musicals, fostering vocal and instrumental skills and a shared love of music with her students and colleagues.

Alongside her teaching career, Angie has maintained an active involvement in music-making. She is a former member of the RTÉ Philharmonic Choir, St Patrick’s Cathedral Chamber Choir, Canticum Novum Chamber Choir and is currently a member of GuitaRIAM. 

Angie believes that through the study of musicianship, we have the opportunity to deepen our understanding of music, developing confidence as musicians and discovering new ways to appreciate the music we hear and how we perform. She aims to create a welcoming and encouraging learning environment where students can build on their existing knowledge, explore new ideas and develop their skills at their own pace.

She is delighted to be a member of RIAM’s Adult Division Musicianship programme and looks forward to sharing her enthusiasm for music with adult learners at every stage of their musical journey.

Testimonials

Here is what some of our previous course participants are saying:

"Excellent course - Clear information provided, good curriculum with opportunities to both practise learning and extend knowledge."

"I haven't enjoyed learning and homework this much since I was a child!! A few years ago, I attempted to pick back up the piano skills of my youth and failed to reach the same level. I realised my theory was letting me down but couldn't find a class offering what I needed. Then this class came along - exactly what I'd been looking for!!"

"I really enjoyed the tutors teaching style - it is engaging, interesting and agile. The tutor teaches with a passion for her music and subject which is contagious."

"An excellent instructor. She covered so much with great enthusiasm, and she dealt with questions in a very engaging way."

"Thank you for facilitating such a wonderful course - I am looking forward to more!"

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